翻訳と辞書 ・ Statue of Charles James Napier, Trafalgar Square ・ Statue of Charles Rolls, Monmouth ・ Statue of Charlie Chaplin, London ・ Statue of Cosimo I ・ Statue of Dante in Piazza di Santa Croce ・ Statue of David ・ Statue of David Lloyd George, Parliament Square ・ Statue of Ebih-Il ・ Statue of Edward Cornwallis ・ Statue of Edward Jenner, London ・ Statue of Edward Snowden ・ Statue of Edward VII, Bootle ・ Statue of Equality ・ Statue of Europe ・ Statue of Father Cícero ・ Statue of Ferrante I Gonzaga, Guastalla ・ Statue of Flora in Szczecin ・ Statue of Frederick the Great ・ Statue of Frederick the Great (Charlottenburg Palace) ・ Statue of Freedom ・ Statue of Ganymede ・ Statue of George Canning, Parliament Square ・ Statue of George III, Somerset House ・ Statue of George Palmer ・ Statue of George V, Westminster ・ Statue of Giordano Bruno ・ Statue of Hans Egede ・ Statue of Henry Bartle Frere, London ・ Statue of Henry Havelock, Trafalgar Square ・ Statue of Henry Irving, London
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Statue of Ferrante I Gonzaga, Guastalla : ウィキペディア英語版 | Statue of Ferrante I Gonzaga, Guastalla
The Statue of Ferrante I Gonzaga is a dramatic, outdoor, bronze, Renaissance style statue in the piazza Gonzaga, in the center of the town of Guastalla, province of Bologna, region of Emilia-Romagna, Italy. The statue depicting the former condottiero (1507-1557) was completed by Leone Leoni, and installed in 1594 by his son Cesare Gonzaga (1475-1512), who was also a military leader. The condottiero Ferrante is depicted in an mythic pose, trampling the chest of a vanquished satyr, symbol of vice, and another foot atop a decapitated puny hydra, symbol of calumny. Ferrante had been accused of disloyalty to the Holy Roman Emperor Charles V, but Ferrante cleared himself of the charges, appearing personally to defend himself before the monarch in Milan. The statue's themes alluded to the episode. The grim, violent posture of the statue sets the iconography apart from other, more restrained prior depictions of military leaders such as the equestrian statues of Condottiere such as Gattamelata and Bartolomeo Colleoni.〔(Pro Loco Guastalla ).〕The pose of the statue appears to herald the transition from the sober and placid rigidity of Renaissance depictions to more vigorous and active Baroque poses. ==References==
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